#1. Find a Hook for Your Character - Andreas Deja
Use your life experience when making artistic choices
Draw on your memories to add depth to characters
Always ask: what is this character thinking and why is he thinking that way?
#2. Don’t Animate Drawings, Animate Feelings - Ollie Johnson
Crawl into your character's head and animate from the inside
Lighting and camera placement should match your character's emotional state
Easier to add technique to something emotionally true than to add emotion to sterile technique
#3. Animate the More Aggressive Character First - Andreas Deja
For a doc, interview your most aggressive character first
For narrative, light and block your most aggressive character first
Use less aggressive characters to add shading to your piece
#4. Observation, Observation, Observation! - Eric Larson
True whether you are capturing reality with a pencil, a camera or a computer
Go out and just watch. Then draw. (Or film.)
Learn your subject so well that you don't need the reference anymore
#5. Observe and then Plus Reality - Andreas Deja
Mission statement for any filmmaker in any genre or discipline
Choose what to leave in and select what to add or take out
Difference between going to the zoo and watching Animal Planet
#6. Explore ALL Possibilities In Your Thumbnails - Milt Kahl
Or in your script, or in your notes
You can't succeed if you're afraid to fail
Never throw away bad work - worst case, you can later see that you’ve grown as an artist
#7. Break Things Up – Everything Moving At the Same Time Looks Weightless - Andreas Deja
Good advice either way; how to shoot a science-fiction weightless scene
Also confuses audience; they don't know where to look
Simplify and focus
#8. You Owe It to Yourself and the Medium - Milt Kahl
Set high standards for yourself
Work hard; don't settle for second best
Set an example for your cast and crew
#9. Incorporate Asymmetry (In Facial Expressions and Lip-Syncing) - Andreas Deja
Symmetry is boring
Asymmetry adds character
True for lighting, scripts, actors, staging, blocking, etc...
#10. If It Doesn’t Look Natural, It’s No Good - Eric Larson
Show audience something they know to be true; easier for them to accept your fantasy
#11. Better to Focus on Your Weaknesses than Show Off Your Strengths - Andreas Deja
Forget your strengths to focus on your weaknesses
Be honest with yourself to identify your strengths and weaknesses
Perfection is TEH Enemy of TEH Good
#12. You Need to be Sincere in Your Own Work - Eric Larson
Avoid theatrics
Focus on making characters come to life
Don’t be ambiguous; make it strong and clear
#13. It’s All About Feeling - That is Number One - Andreas Deja
Capturing emotion is more important than technique
Draftsmanship (or staging) is secondary; acting comes first
Let the audience see what the characters are thinking and feeling
#14. Don’t Forget, This Is Supposed to Be Fun! - Roy Disney
#15. Don't Try To Be the Next Ollie Johnson, Be the First You - Andreas Deja
Young filmmakers have a tendency to try to replicate their idols.
To be successful, you need to express yourself in your projects.
Apply your own sense of humour, of drama, of romance, of fear.
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